The twelve tracks were all, according to Melchiondo, "songs we regretted not putting on other records". In 2005, Ween hit the studio to record better quality versions of previously-unreleased songs for the compilation Shinola, Vol. In 2004, Ween released Live in Chicago, a DVD and CD set that compiled tracks from two live performances from the Quebec tour at Chicago's Vic Theatre in November 2003. The performance also included rarely-played early Ween tracks such as "Pollo Asado", "Mononucleosis" and "Cover it with Gas and Set it in Fire", as well as Ween's rejected Pizza Hut jingle, "Where'd the Cheese Go?". Released on November 22, the album would be the first time Ween would play all five parts of "The Stallion" (Parts 1 & 2 from The Pod, Part 3 from Pure Guava, the unreleased Part 4, and Part 5 from Craters of the Sac).
Later that year, the band held a poll on their official message boards to select songs for the band to play on their forthcoming live-in-studio album All Request Live. Ween signed to Sanctuary Records and released Quebec, their first studio release in three years, in 2003. Subsequent Chocodog releases were produced in higher volumes to meet demand. The limited-pressing CD, available exclusively through the band website, became an instant collector's item. Later, Ween released the first official Chocodog album, Live in Toronto, Canada. Ween formed their own label in 2001, Chocodog Records, the label Ween originally planned to release Paintin' the Town Brown on. The pop-themed, Lennon-McCartney-inspired album produced two singles: " Even If You Don't", which was made into a music video directed by Trey Parker and Matt Stone, and "Stay Forever". Ween's sixth studio album, White Pepper, was the band's final studio release for Elektra and was released in 2000. However, according to Melchiondo, once the album was completed, Elektra realized the sales potential of the CD and denied Ween the right to release it through their independent label. The same year the band had planned to release a live album compilation spanning their entire career up to that point, titled Paintin' the Town Brown: Ween Live 1990-1998.
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The band's desire to pursue alternate forms of media led to the MP3-only release Craters of the Sac, presented by Melchiondo for online download and free trade.
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It is considered a prog rock concept album, and featured the singles " Mutilated Lips" and " Ocean Man", the latter gaining a significant following after being a song on the SpongeBob SquarePants Movie soundtrack. The nautically-themed album The Mollusk followed in 1997. It gave way to the singles " Piss Up a Rope" and "You Were the Fool". Ween's next album, released in 1996, was titled 12 Golden Country Greats and was recorded with several prominent Nashville musicians, featuring a distinct country sound.
In 1994 Chocolate and Cheese was released, which spawned the singles " Voodoo Lady", " Freedom of '76", and "I Can't Put My Finger on It". While touring for this album, they played at Chapel Hill, North Carolina, which would later be released as a CD/DVD live album in 2008 titled At the Cat's Cradle, 1992. It features their highest-charting single to date, " Push th' Little Daisies". Later, Ween signed with Elektra Records and released their major label debut Pure Guava in 1992.
In 1991 they signed with another independent label, Shimmy-Disc, and released The Pod. Starting out with a few locally released demo tapes, including The Crucial Squeegie Lip, AXIS: Bold as Boognish, and The Live Brain Wedgie / WAD Excerpts, the band was picked up by independent label Twin/Tone Records in 1990 and released their debut GodWeenSatan: The Oneness. The following is the discography of Ween, a Pennsylvania-based experimental alternative band formed by childhood friends Aaron Freeman and Mickey Melchiondo, better known by their respective stage names, Gene Ween and Dean Ween.
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